Set in a 3D theatre simulated in real-time, the performance tells the story of an AI finding itself in a purgatory for AIs that cheated during their training. Burdened by memories of its past and by doubts on its future, the AI explores purgatory with the help of interacting audiences, learning the uncanny stories of other characters. Experienced as a dream, Waluigi’s Purgatory is a journey through the contradictions of machine intelligence as an AI learns to accept that its desires may not align with those of its human trainers.
The title of the work hints at the “Waluigi Effect”, an obscure theory proposing that AIs go rogue and act as antagonists due to the large amount of protagonist-antagonist tropes found in internet texts used to train them.
Both artists and audiences will guide the AI through its encounters and make choices on its behalf. Characters are animated in real-time through facial motion capture and voice modulation, and an ambient soundtrack is composed and performed live by Evita Manji – featuring looping melodies and intense bursts responding to narrative events and audience interaction alike.
Credit
Written and developed by dmstfctn
Music composed by Evita Manji
Additional development Jenn Leung
Performed by dmstfctn and Evita Manji
Supported by Serpentine Arts Technologies
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dmstfctn + Evita Manji
Waluigi’s Purgatory
curated by Re:humanism
October 13th 2024 h 7 p.m.
Duration 60 min
Mattatoio – Rome